To what extent did high culture become the tool of state interest during the period 1624-1715?

During the Renaissance, humanists, having recovered numerous ancient texts, suggested that the grandeur of a large provide although established by war, was maintained by peace. The fruits of peace, they claimed, were technical prosperity and the progress in the arts, which in turn immortalised the princes glory. Ritual, art and architecture may all be seen as the instruments of self-assertion, as the continuation of war and diplomacy by other means. For the use of goods and services of this act extravagantly culture represents painting, sculpture, ballet, opera, writing, poetry and architecture. Progress in these, were deemed to turn up the grandeur and power of the king in the eyes of his subjects, of foreigners and of posterity. The fantasy of using the arts as a tool of the nation was not new to the period touch on; Cosimo deMedici, for example, who ruled Florence from 1537 to 1574, was make all the more aware of the policy-making uses of the arts in creating a go od public image collectable to his lack of genuineness as ruler. During the years of Louis XIVs soulal rule, the use of high culture as the tool of the state is probably clearest, however, at that place are more examples of the arts being used for political aims during the ministries of both Richelieu and Mazarin. During the ministries of Richelieu and Mazarin, France terminationly established her position as a great power in Europe. Internally during this period the last forces of discord, social and religious, were broken and in foreign policy these years mark her victory in the struggle with Spain and the Empire. In equipment casualty of high culture, Louis thirteen remained a discreet monarch, seemingly influence to glorify his person or his power. Antoine Schnapper notes that, he [Louis] even gave up the olden tradition of the notice Royal Entries, which did not... If you want to get a full essay, beau monde it on our websi te: Bes! tEssayCheap.com

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